Part 2 of the series on Rajadharma talks about Violence and Punishment, and finds that, for righteous reasons, between non-violence and violence, the path that leads to upholding of dharma was superior.
This paper presents a simple and elegant framework for the classification of Yugas followed by a summary of variations from Puranas. The paper explains why the traditions might have differed and provides the roadmap for their usage to track and separate historical events of Indian civilization
The first part of our series on ‘Rajadharma’ – a treatise on basic philosophy of statecraft aimed at good governance, takes us through Yudhishthira’s desire to abandon all Karma to finally upholding the principles of Rajadharma after the Great War
ಮಹಾಭಾರತದ ಆದಿಪರ್ವದಲ್ಲಿ ಅತಿಸುಂದರವಾದ, ಮಹತ್ವಪೂರ್ಣವಾದ ಕಥೆಗಳು ಬರುತ್ತವೆ. ರುರು ಮತ್ತು ಪ್ರಮದ್ವರೆಯ ಪ್ರೇಮ ಮತ್ತು ವಿವಾಹ ಅಂತಹ ಕಥೆಗಳಲ್ಲೊಂದು.
ಮಹಾಕವಿ ಭಾಸ ಸಂಸ್ಕೃತದ ಶ್ರೇಷ್ಠ ನಾಟಕಕಾರ. ಅವನ ಘಟೋತ್ಕಚನ ಮುದ್ದಾದ ಚಿತ್ರಣವನ್ನು ಸ್ಮಿತಾ ಎಚ್.ಎಸ್.
Suvarchala’s conditions stunned her father Rishi Devala. It seemed more a riddle than a demand. How does Shwetaketu resolve this? The beautiful story narrated by Smitha HS
ಸುವರ್ಚಲೆ ಶ್ವೇತಕೇತುವಿಗೆ ಕೊಟ್ಟ ಪರೀಕ್ಷೆಯಾದರೂ ಏನು? ಅದನ್ನು ಶ್ವೇತಕೇತು ಗೆದ್ದುದಾದರೂ ಹೇಗೆ? ಬನ್ನಿ ಕಥೆ ಹೇಳುತ್ತಾರೆ ಸ್ಮಿತಾ
The novel begins as a search light in the forest of the Epic. It ends as a beautiful lamp at its feet, and it is Rukmini who takes us through this journey.
The origin of The Mahabharata is associated with Apsara Adrika, an essential link in the initiation of the Epic. Apsara Adrika, a celestial nymph liberated herself from a curse and became instrumental in the birth of Matsyagandha.
Deepak MR reviews The Rise of Dharma, a retelling of the Mahabharata from Yudhishtira’s perspective.