This paper by Anirudh Naveen is a preliminary attempt at examining the artistic re-awakening that emerged through the artists and philosophers in early twentieth-century Bengal.
The hasta or hand is seen as a reflection of the larger cosmic body or vastu purusha, which constitutes the pancha mahabhutas.
This paper will present original research carried out by the author that identifies Vindhyā and Agastya lore to be 21000+ years old.
This paper presents a simple and elegant framework for the classification of Yugas followed by a summary of variations from Puranas. The paper explains why the traditions might have differed and provides the roadmap for their usage to track and separate historical events of Indian civilization
A Sanskrit research paper on “An Aesthetic Wisdom of Rishi, Concerning Mantras & Devatas” by Dr. Naveen Bhat presented at ‘Conference on Hindu Aesthetics’ organised by Indica
‘The Purāṇas place the whole mountain system of the world at the centre around the Meru, which is in turn said to be situated in the middle of Ilāvṛta varṣa.’ Research paper by Dr. Vidyuta K
In the Indian context, the Puranas are encyclopedic works characterized by the Panchalakshanas as they enumerate details about them: Sarga, Pratisarga, Manvantara, Vamsa and Vamsanucharita
All future work on the study of Advaita must consider Bhāgavata as a serious text on Advaita, Shukacharya anyway being considered one of the acharyas of Advaita Vedānta guru paramparā.
Social classes are more like a tree. Each part is important for the full functioning of society. Each part needs appropriate nurturing in its place.
Rīti is considered to be the soul of a poetry the assertion by poet Vāmana when talking about its significance, “Rītirātmā Kāvyasya”